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THE PROJECT ECONOMY OF THE ARTIST

THURSDAY 25.05.2017
The title for this proposed panel could just as easily be: How has the artist’s temporal approach to their practice changed over time? But I haven’t called it this, because I have presupposed something, which is that the notion of the ‘project’ might be one of the most significant paradigms through which to understand it.
The talk, with Federica Martini, Madeleine Dymond, Patricio Gill Flood and Victoria Wigzell will revolve around examining the effects this new temporal economy, reflected in, amongst other things,  some of the devices I can list below, which is by no means comprehensive:
The residency The budget The annual application

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